[ilds] Nin & Heraldic
James Gifford
james.d.gifford at gmail.com
Thu Feb 25 13:04:56 PST 2016
> Here I would bring in Hermann Broch’s idea of
> an “ultimate reality,” as expressed in /The
> Death of Virgil/ (1945). Perhaps only
> superficial, the similarities need to be fully
> explored.
I meant to respond to this earlier, Bruce, but got caught up in other
things (the ILDS just hosted two very successful panels at the
Louisville conference). I must admit I've never read Broch's /Death of
Virgil/, but his name has popped up around Durrell before. A quick
check shows Alan Warren Friedman and Victor Brombert connecting them
through their use of myth. Durrell and Broch both published in /The
Chimera/ as well.
On 2016-02-24 5:24 PM, Bruce Redwine wrote:
> I see Durrell’s use of “Heraldic” as representing some extra dimension
> of reality, accessible through the imagination, intuition, or some kind
> of praxis: “Transcending logic it [Heraldic] invades a realm where
> unreason reigns, and where the relations between ideas are sympathetic
> and mysterious—affective—rather than casual, objective, substitutional.”
> This from “Ideas about Poems” in /Personal Landscape: An Anthology of
> Exile/ (London 1945). See also Gifford’s edition of /From the
> Elephant’s Back/ (2015).
I'd be inclined to think of the invasion a bit differently, stressing as
it does the Heraldic's influence on other places rather than a place of
its own. The "unreason" too strikes me as borrowing from the Surrealist
impulse from which Durrell first articulated it as a concept. I must
admit though, I'm not inclined to see it as a spiritual matter and
suspect discussing it in those terms can be a distraction.
The full letter to Miller in which Durrell first mentions it was a point
by point response to Herbert Read's speech on Surrealism, which he'd
sent to Miller and Miller sent to Durrell. It's detailed in the
Miller-Read letters. Setting the three side by side by side, there
really isn't any doubt about what Durrell was responding to, and I see
that as shaping how the term operates in its later repetitions.
All best,
James
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