[ilds] D. J. Enright
Richard Pine
rpinecorfu at yahoo.com
Fri Jun 27 15:03:36 PDT 2014
Two unrelated points - I don't have my copy of 'Academic Year' to hand, but isn't there an unpleasant reference to an LD-type character - as there is said to be in Olivia Manning?
And, don't rely too much on Helen Vendler as a critic - she once said a lecture of mine was brilliant - which it wasn't.
RP
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On Fri, 6/27/14, Bruce Redwine <bredwine1968 at earthlink.net> wrote:
Subject: [ilds] D. J. Enright
To: "Durrell list" <ilds at lists.uvic.ca>
Cc: "Bruce Redwine" <bredwine1968 at earthlink.net>
Date: Friday, June 27, 2014, 6:26 PM
Sumantra,
glad you brought up D. J. Enright (1920-2002). He
should be remembered — in his own right and also because
his life is the obverse
of L. G. Durrell’s. Both were men of letters:
poets and novelists. Their paths were similar but
never crossed. Durrell claimed he failed the entrance
exams
to Cambridge. Enright obtained a degree at Downing
College, Cambridge, and was
associated with F. R. Leavis, who taught at Downing.
DJE and LGD lived in Alexandria, at different
times, and wrote very different novels about the city.
Enright obtained a Ph.D. at Farouk I University
in Alexandria, where he defended his thesis on Goethe in
French. He later revised the Modern Library
translation
of Proust’s In Search of Lost Time. In
The Quartet,
Durrell talks about the East and its charms, sensual and
philosophical. Enright
lived much of his life there (Thailand, Japan, Singapore)
and indulged similar
interests, opium among them but kept up his passion for
Virgil’s Eclogues. He was Professor of
English at the University
of Singapore and was kicked out of the country for acerbic
opinions about the city state that would
have made Ludwig Pursewarden proud. That tale is
retold in his Memoirs of a Mendicant Professor
(1969). Oxford published his Collected Poems in
1998, favorably reviewed by Helen Vendler. Although a
Romantic in his travels, Enright was not a Romantic when it
came to Egypt. In “Why the East Is
Inscrutable” (Alexandria, 1948), he writes, “Sometimes
the East is too hot / To
be scrutable . . . Wait for winter, / Mildly trying,
meanwhile, not to make /
Too many enemies.” Durrell restricted
such comments to his letters. Would Durrell
have made Enright’s enemies list? Maybe. His
opinions of Durrell are not
flattering. As Sumantra notes, Enright's review of
The Quartet, “Alexandrian Nights’
Entertainments,” is largely negative. Enright
concludes: “When
Durrell is good he is very good, and when he is bad he is
horrid.” A good Latinist, he places emphasis at
the end. Which of the two will endure
longer? Durrell, undoubtedly. But Enright has
his place.
Bruce
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