[ilds] The Dark Labyrinth

Sat Apr 23 01:45:38 PDT 2011

neither does Campion. many of the other characters in DL become new selves. Campion goes back into the apothecaries mix. If Durrell had found resolution, he would have ceased to write..

DG

From: Bruce Redwine 
Sent: Saturday, April 23, 2011 1:54 PM
To: Denise Tart & David Green ; ilds at lists.uvic.ca 
Cc: Bruce Redwine 
Subject: Re: [ilds] The Dark Labyrinth

David, 

Good association.  Neither.  But now were getting to the transcendent.  I think Campion, who takes a leap into space and then disappears entirely from the narrative, "dissolved into the Infinite," in the way that Zen artists depict the ten stages of ox-herding pictures, the eighth stage being, "Both Bull and Self Transcendent."  (See Paul Reps, Zen Flesh, Zen Bones [1957].)  That stage is represented as the enzo, a large, empty circle:  Sunyata.  Durrell knew this tradition, and that's what Campion reaches.  Two stages, however, follow.  A return to the world as a new self.  That final stage I don't think Durrell himself ever reached. 

Bruce

On Apr 22, 2011, at 6:33 PM, Denise Tart & David Green wrote:

  "Rimbaud's solution is always in the air." 

  Bruce, I am imagining Campion leaping into the blue Cretan air above the even bluer Med, an act of vast faith as water from that height is concrete hard. did he die or did he swim to safety...

  DG

  From: Bruce Redwine 
  Sent: Saturday, April 23, 2011 4:35 AM
  To: ilds at lists.uvic.ca 
  Cc: Bruce Redwine 
  Subject: [ilds] The Dark Labyrinth

  Meta, 

  I'm currently working on an essay dealing with Durrell's use of pastoral, which will include aspects of his peculiar "transcendental dimension."  David Green below encapsulates well, as you note, some of those characteristics.  I too find The Dark Labyrinth an extraordinary work of fiction.  Why did Durrell dismiss it?  I'd guess because it didn't fit in which his grandiose plans for making his mark on world literature (hence the need to produce "big works," "man-size piece[s]," i.e., novels in sets, epic fashion).  Yes, that's hard.  But, if I may expand on Frank Kermode's observations (Critical Inquiry 7 (1980), no. 1, 83-101), authors are not always in full control of their material and don't always know when they're succeeding or not.  As far as the "transcendental" goes, the escape into some mythological unknown was there at an early age.  In a letter to Henry Miller (27 January 1937), Durrell writes, "Rimbaud's solution is always in the air." The statement is problematic, but I take it to mean that young Durrell is romanticizing Arthur Rimbaud's escape into the wilds of Abyssinia, i.e., seeking out some primitive haven not unlike the Roof of the World in DL.  Of course, what Durrell was probably unaware of is that Rimbaud was bored stiff with life in remote East Africa.  Read his letters to chères mère et sœur.  No matter.  The idea of pastoral is more important than facts.

  Bruce

  On Apr 22, 2011, at 2:39 AM, Meta Cerar wrote:

    This is beautifully put, thank you for this post. I am so glad that other Durrell fans also find the transcendental dimension in the Dark Labyrinth (which I recently translated into Slovenian). I have always wondered why Durrell himself was so dismissive of this novel? Referred to it as a potboiler, written to pay for the divorce from Nancy. And why was it hardly ever mentioned by his biographers, and not even once in the interviews which were compiled into a book (I think the author was Ingersoll or something similar)? 

    Best regards

    Meta Cerar

    Ljubljana, Slovenia

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    From: ilds-bounces at lists.uvic.ca [mailto:ilds-bounces at lists.uvic.ca] On Behalf Of Denise Tart & David Green
    Sent: Thursday, April 21, 2011 5:00 AM
    To: Durrel
    Subject: [ilds] LGD and the Three Pillars of Happiness

    LGD was a highly spiritual person and sought enlightenment through a variety of faiths and beliefs: Gnosticism, the cabbala, Buddhism and of the transcendental quest for spirit of place . it pervades all his work and no finer example than that found in Dark Labyrinth and the metaphoric discovery of the Tibetan upland!  My feeling is that LGD discovered many elements of spiritual upland when, after the bitter lemons of Cyprus, he went to the Midi with Claude and lived a plain rustic life at the Mazet, in country side he liked, with the woman he loved and doing work he enjoyed - writing and pottering about his farm. The other day Denise said that she heard that the three pillars of happiness are: someone to love, something to do and something to look forward to. I only add that the second pillar is stronger when you like what you do. LGD had all those when with Claude and it was his best time as a man, lover and writer. Later, he did not have love, found writing more difficult and had only the bottle to look forward to ...and female American uni students.

    David

    16 William Street
    Marrickville NSW 2204
    + 61 2 9564 6165
    0412 707 625
    www.denisetart.com.au

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