From odos.fanourios at gmail.com Mon Oct 13 09:33:39 2008 From: odos.fanourios at gmail.com (James Gifford) Date: Mon, 13 Oct 2008 09:33:39 -0700 Subject: [ilds] new article Message-ID: <48F37863.3060501@gmail.com> Hello all, Our own Bruce Redwine has been too modest to mention his recent article in /Arion/, which I stumbled across this morning. Some may recall the rather strong debate we had about its subject, "On First Looking in Loeb's Horace," and perhaps this will prompt others to offer their thoughts or comments. To get the ball rolling, I'll reiterate that I still disagree with Bruce's reading, based on my own interpretation of the original ts. for the poem. Perhaps someone else will have more thoughts or comments to contribute, (dis)agreeing with one or both of us -- either way, it's an enjoyable read and comes with some very striking photographs. The link to the .pdf copy of the article is broken on the HTML page with the article, but the one here works: http://www.bu.edu/arion/ You can access the article itself in HTML here: http://www.bu.edu/arion/redwine.htm Happy Thanksgiving to those North of the 49th Parallel! Cheers, James ps: I'll add too that Bruce is quite astute in spotting allusions to Keats' "To Autumn," which also dominates an entire chapter in /Panic Spring/. From Charles-Sligh at utc.edu Mon Oct 13 10:56:12 2008 From: Charles-Sligh at utc.edu (csligh) Date: Mon, 13 Oct 2008 13:56:12 -0400 Subject: [ilds] new article In-Reply-To: <48F37863.3060501@gmail.com> References: <48F37863.3060501@gmail.com> Message-ID: <48F38BBC.3080704@utc.edu> Congrats to Bruce on this accomplishment. I was made happy and proud to see the treatment when it arrived here in Chattanooga. Many thanks! I will also note that Peter Porter addresses the Horace poem in his intro comments to the new Folio /Justine/. I will excerpt here below some of the relevant text from the TLS printing for pondering. Charles **** * From The Times Literary Supplement August 27, 2008 Lawrence Durrell in the ambiguous white metropolis The poetry and music of the Alexandria Quartet Peter Porter * > ?On First Looking into Loeb?s Horace? is a pointer to the novels in > another way. Poems and novels make uncertain allies if only because > both like to tell stories. But the poet in Durrell is never far away > in his fiction. The Loeb poem is a masked short story: the Latin > Golden Age poet Horace epitomizes the Mediterranean virtues and vices > ? a selfish fat man, vain, but also a writer of genius. Durrell > composes a mini-novel by remembering a lover who had made notes in the > margin of a Loeb student edition of Horace?s poems. As he traces their > affair, he senses in her marginalia?s summary of the Roman?s > personality, a shrewd discerning of his own. The creative writer?s > need to distance himself from involvement, however romantic his > attachment, is a match for the long-dead poet?s chilly self-regard. > > So perfect a disguise for one who had > Exhausted death in art ? yet who could guess > You would discern the liar by a line, > The suffering hidden under gentleness > And add upon the fly-leaf in your tall > Clear hand: ?Fat, human and unloved, > And held from loving by a sort of wall, > Laid down his books and lovers one by one, > Indifference and success had crowned them > all.? > > In the novels Durrell marshals his characters with the same ruthless > determination as the female lover in the poem. Yet his method is an > open one ? the reader perceives that the way these people are > dissected reflects on the figure of Darley quite as much as on them. > Alexandria becomes for them a guide to personal revelation. Darley > would see himself either as an unmoved mover, an Isherwoodian > observer, the camera who simply records; or he might prefer to be the > suffering catalyst of the actions that bedevil them. But the reader > begins to appreciate the strategy; the Durrell personality can be > filleted out of the action, leaving a huge ground plan of > contradictory and bewildered people trapped by history on a darkling > plain. > > Whether Durrell would have accepted that the liar in Horace was a > pre-echo of himself is unknowable. He was writing fiction, and very > complicated fiction at that. http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/the_tls/article4618977.ece From Charles-Sligh at utc.edu Mon Oct 13 10:59:31 2008 From: Charles-Sligh at utc.edu (csligh) Date: Mon, 13 Oct 2008 13:59:31 -0400 Subject: [ilds] a character like so many others who came to and stayed Message-ID: <48F38C83.4000509@utc.edu> http://www.greeknewsonline.com/modules.php?name=News&file=article&sid=9252 > Greece: Arcadia Lost: The Gods Smile on Arcadia > Posted on Monday, October 13 @ 11:43:22 EDT by greek_news > > Greece By Christine Sturmey > The wonky weather that had most of us staring at our closets in > confusion in recent weeks was a godsend for Greek-American > cinematographer/director Phedon Papamichael, who just finished filming > ?Arcadia Lost,? a coming-of-age drama set in different locations > around the Peloponnese, mainland Greece and Evia and slated for > release in the spring. > > ?We couldn?t have asked for the weather,? he told a press conference > on Tuesday, describing the uncanny coincidence when the skies give you > that magical quality which just cannot be achieved with artificial > lighting. > > ?Arcadia Lost? is about two American teenagers, Charlotte (played by > Haley Bennett) and Sye (Carter Jenkins), who get lost in Greece > following a terrible accident. They cross paths with Benerji, a > vagabond ex-patriot American (Nick Nolte), who leads them on a journey > of self-discovery until, confident that they are ready, he lets them > go it alone. *?He is a character like so many others who came to > Greece 25, 50 years ago and stayed,? said Papamichael of Nolte?s > character. ?Famous ones and not famous ones ?Lord Byron and Lawrence > Durrell. You can call him a philosopher or a drunk, but he?s like so > many others who just can?t go back, who get lost in the atmosphere.?* > > ?There are three visual parts to the story,? explained the director. > ?Reality before the accident and then a different state of reality > when they meet Benerji, who takes them on a spiritual journey, like a > journey into the underworld.? > > The atmosphere after his departure is described as post-apocalyptic > and here Papamichael took advantage of the Peloponnesian landscape > that was scorched by wildfires last year. Other locations include Mani > and Mt Parnassus. > > ?For the scenes where the kids are with Benerji we had absolutely > wonderful weather. Later we had these great dramatic skies,? said > Papamichael. > > One of the greatest moments, he recalled, was the final scene, which > was shot at the Mornos Reservoir in central Greece, where receding > water levels have revealed the rooftops of houses where families lived > before the artificial lake was filled. > > ?We had a star shining over us,? said Papamichael, ?it was a very > special experience overall.? > > It appears that the filmmaker?s luck was not limited to the weather, > however, as Papamichael, US producer of Chambers Productions Kelly > Thomas and writer David Ariniello all admitted that the experience of > shooting in Greece, which can be attributed to a lucky case of > misfortune, worked surprisingly well. The film was originally written > to be set in India, but the producers failed to get the support they > needed from the government there. > > ?We spent two months there,? said Papamichael, ?and one day, when we > were in New Delhi waiting for permits with Stamatis [Athanasoulas, > Greece?s Top Cut producer], I suddenly thought this could be set in > Greece.? > > Ariniello was then asked to adapt the script to the new location. ?The > transition seemed difficult at first,? the writer told the press > conference. ?I had been here before, visiting the Peloponnese. The > landscape I saw had a magical aspect that worked well. This other part > of Greece, the one most people don?t know, was what was most important > and this was the key that allowed me to translate the film.? > > For Thomas, the production went so well that she?s already getting > calls from American colleagues wanting to explore the option of > shooting in Greece. ?It was the best thing that could happen to us, > not getting the support of the Indian government,? she said. > > Coming on the heels of ?My Life in Ruins? and ?Mamma Mia!? a success > with ?Arcadia Lost? would bode well for the Greek cinema industry, > which has been making some efforts in recent years to become more > attractive to foreign productions. Losing Oliver Stone?s 2004 > mega-budget ?Alexander? to Morocco was a painful but valuable lesson. > Papamichael ? who spoke to Oliver Stone at the time and who also > worked as director of photography on his film biography ?W,? a > chronicle on George W. Bush expected to come out in Greek theaters in > late November ? explained that ?Oliver Stone was here with a budget of > around $150 million and wanted to do a movie about Alexander the > Great. He was kept waiting for two hours before a meeting. These guys > don?t have the time to wait around. He didn?t get what he wanted, so > he moved on.? > > Greek Film Center president Giorgos Papalios explained how Nia > Vardalos was left waiting for a permit to shoot on the Acropolis > because the order from up above hadn?t reached the right person. He > also mentioned that ?300? producers are looking to do a film on the > Battle of Marathon in 2010, on the 2,500-year anniversary of the > historical event. Other than the money and prestige this could bring > Greece, it could also entail a string of parallel events held on a > local level and a commemorative marathon race. He also said that one > thing that suggests Greece is its security, though it must begin > offering more incentives, such as tax rebates, a common practice in > most countries. > > Markos Holevas, head of the Hellenic Film Commission, insisted that it > was high time Greece forged a proper policy and legal framework to > host foreign productions. ?We don?t have much time to make up for lost > ground, because the international competition is fierce,? he said. For > her part, Thomas was impressed at how committed the Greek producers > and crew were, but agreed Greece still lacked a succinct proposal. > > Papamichael admits that the country has come a long way, especially in > terms of local crews and technicians, which he described as excellent. > ?Normally Greece should be an ideal location, because it offers a > great variety of locations in a compact space. It is easy to move a > crew around. The infrastructure is great. The roads are good, there?s > a hotel with Internet access in every town. The weather is also ideal. > It has all the comforts of a First World country, but you can also get > something here you can?t anywhere else.? > > SYNOPSIS > > A coming-of-age road movie with a mystery at its heart, Arcadia Lost > explores Greece through the eyes of teenaged Americans, mapping > materialism and innocence onto timelessness and spirituality. In > ruins, olive groves, and stunning landscapes, the teens encounter a > country both foreign and familiar, a place that becomes the landscape > of the mysteries of their own minds and teems with life and death, the > mysterious and the banal, the sacred and the profane. > > Charlotte and Sye are not brother and sister, but they find themselves > thrown into those roles when their respective parents marry and decide > the new family should bond on a trip to Greece. By the time the plane > lands in Athens and they arrive at the dilapidated Malibar Hotel, > tensions are already beginning to surface?15 year-old Sye clutches his > camera as obsessively as he has since his real mother died, while 16 > year-old Charlotte begins to see herself as the sexual rival of her > less-than-secure mother. Soon, the children become an obstacle to the > fledgling marriage, so the newlyweds resolve to send them home?to > boarding school, or worse. > > During an emotion-charged drive along the coast, the car swerves and > rolls into the sea. The kids are thrown free but the parents slip > below the dark water. How much of the accident was the teens? doing? > Stunned and desperate, unsure of their guilt, they wander along the > road into the unfamiliar Greek countryside. At a village, they find > themselves befriended by the vagabond philosopher Benerji, an > ex-patriot traveler who mixes the revelry of Bacchus with the > spirituality of Buddha. The kids keep mum about their circumstances. > Instead, they agree to accompany Benerji toward a mysterious ceremony > on the path to Mount Parnassus. > > On their journey, Charlotte is seduced by the happy-go-lucky > backpacker Raffi, and both teens are nearly ensnared by the charming > but dangerous Gorgo. And yet, it is through these experiences that > Charlotte slowly begins to accept Sye as her brother, to make peace > with her past, and to understand the painful truth about where she is > and what has happened. Both teens begin to understand the > possibilities of re-imagining what it means to be family, what it > means to be an adult, and what it means to be alive. > > At a lake?s edge on Mount Parnassus, the shore is filled with > revelers, flowers, smoke. Unsure of what to do, Charlotte and Sye dip > under the water. Suddenly, they find themselves transported to another > body of water: they glimpse into the interior of their past... and > discover the truth. > > CAST > > Haley Bennett ? Charlotte > Carter Jenkins ? Sye > Nick Nolte ? Benerji > Lachlan Buchanan ? Raffi > Dato Bakhtadze ? Gorgo > Alex Zorbas ? Desmond > Alexandra Pavlidou ? Alisa > Nicholas Marmaras ? Georgie > Anthony Burk ? Cook > Renos Haralambidis - Manager > > CREDITS > > Phedon Papamichael ? Director > Scott Chambers - Executive Producer > Kelly Thomas ? Producer > Jim Ivory - Assistant Producer > David Ariniello - Screen Writer > Stamatis Athanasoulas - Top Cut > Amanda Livanou - Line Producer > Kenny McLelland - Art Director > Yorgos Papadimitriou - Production Manager > Dimitris Apostolou - 1st Assistant Director > George Markakis - 2nd Assistant Director > Lena Chatzimitrou - Production Manager Assistant > Stelios Pissas - Camera Operator > George Striftaris - Casting Director > > **** From Kathimerini From bredwine1968 at earthlink.net Mon Oct 13 13:08:50 2008 From: bredwine1968 at earthlink.net (Bruce Redwine) Date: Mon, 13 Oct 2008 13:08:50 -0700 Subject: [ilds] new article In-Reply-To: <48F37863.3060501@gmail.com> References: <48F37863.3060501@gmail.com> Message-ID: <09BFC03B-0947-47EC-84E3-FD837DBBE953@earthlink.net> James, Thanks for the plug. Erratum. The Ottomans did not build Fort Qaytbey, as I wrote, rather the Mamelukes did. My error. Suggestion. Peter Porter calls "Loeb's Horace" Durrell's finest poem, and I go along with that. My reading of the poem, however, differs radically with Peter Porter's, as well as with James Gifford's. Gifford and I have previously stated our positions on the ILDS list, so there's no need to rehash all that. I also note that Michael Haag has his own distinctive interpretation of the poem, which Michael, if so inclined, can deliver on his own. So, four people with four different views on a great artifact. I suggest these be formalized in some way, possibly in an issue of Deus Loci. I do not think the ILDS List a suitable forum, and Arion does not engage in such exchanges. Bruce On Oct 13, 2008, at 9:33 AM, James Gifford wrote: > Hello all, > > Our own Bruce Redwine has been too modest to mention his recent > article > in /Arion/, which I stumbled across this morning. Some may recall the > rather strong debate we had about its subject, "On First Looking in > Loeb's Horace," and perhaps this will prompt others to offer their > thoughts or comments. > > To get the ball rolling, I'll reiterate that I still disagree with > Bruce's reading, based on my own interpretation of the original ts. > for > the poem. Perhaps someone else will have more thoughts or comments to > contribute, (dis)agreeing with one or both of us -- either way, it's > an > enjoyable read and comes with some very striking photographs. > > The link to the .pdf copy of the article is broken on the HTML page > with > the article, but the one here works: > > http://www.bu.edu/arion/ > > You can access the article itself in HTML here: > > http://www.bu.edu/arion/redwine.htm > > Happy Thanksgiving to those North of the 49th Parallel! > > Cheers, > James -------------- next part -------------- An HTML attachment was scrubbed... URL: http://lists.uvic.ca/pipermail/ilds/attachments/20081013/8322578b/attachment.html From odos.fanourios at gmail.com Mon Oct 13 13:25:25 2008 From: odos.fanourios at gmail.com (James Gifford) Date: Mon, 13 Oct 2008 13:25:25 -0700 Subject: [ilds] new article In-Reply-To: <48F38BBC.3080704@utc.edu> References: <48F37863.3060501@gmail.com> <48F38BBC.3080704@utc.edu> Message-ID: <48F3AEB5.6030202@gmail.com> Hey Bruce, > Suggestion. Peter Porter calls "Loeb's Horace" > Durrell's finest poem, and I go along with that. > My reading of the poem, however, differs > radically with Peter Porter's, as well as with > James Gifford's. Gifford and I have previously > stated our positions on the ILDS list, so there's > no need to rehash all that. I also note that > Michael Haag has his own distinctive > interpretation of the poem, which Michael, if so > inclined, can deliver on his own. So, four people > with four different views on a great artifact. > I suggest these be formalized in some way, > possibly in an issue of Deus Loci. I do not think > the ILDS List a suitable forum, and Arion does not > engage in such exchanges. A splendid idea, and I suspect a very productive one too! The question is whom else we should involve. Is anyone else keen? The venue may also be an issue, and I suspect /Deus Loci/ might not fit due to the peer-review element, which could potentially refuse one or more of the contributions. Suggestions? Maybe Anna will have more to say about that on or off the list. Structure may also play a role. I've seen, largely in scientific fields, a primary article with rebuttals and responses from subsequent articles in the same issue. I'm not sure what would work best here though. Cheers, James From godshawl at email.uc.edu Mon Oct 13 13:41:50 2008 From: godshawl at email.uc.edu (william godshalk) Date: Mon, 13 Oct 2008 16:41:50 -0400 Subject: [ilds] new article In-Reply-To: <48F3AEB5.6030202@gmail.com> References: <48F37863.3060501@gmail.com> <48F38BBC.3080704@utc.edu> <48F3AEB5.6030202@gmail.com> Message-ID: An HTML attachment was scrubbed... URL: http://lists.uvic.ca/pipermail/ilds/attachments/20081013/37d0cabf/attachment.html From godshawl at email.uc.edu Mon Oct 13 14:01:35 2008 From: godshawl at email.uc.edu (william godshalk) Date: Mon, 13 Oct 2008 17:01:35 -0400 Subject: [ilds] Davis, Alexandria In-Reply-To: <48F3AEB5.6030202@gmail.com> References: <48F37863.3060501@gmail.com> <48F38BBC.3080704@utc.edu> <48F3AEB5.6030202@gmail.com> Message-ID: <3B.83.05680.727B3F84@gwout2> An HTML attachment was scrubbed... URL: http://lists.uvic.ca/pipermail/ilds/attachments/20081013/8e72fe0d/attachment.html From odos.fanourios at gmail.com Mon Oct 13 14:08:47 2008 From: odos.fanourios at gmail.com (James Gifford) Date: Mon, 13 Oct 2008 14:08:47 -0700 Subject: [ilds] Davis, Alexandria In-Reply-To: <3B.83.05680.727B3F84@gwout2> References: <48F37863.3060501@gmail.com> <48F38BBC.3080704@utc.edu> <48F3AEB5.6030202@gmail.com> <3B.83.05680.727B3F84@gwout2> Message-ID: <48F3B8DF.2050602@gmail.com> Looks like an ancient world whodunnit to me... http://www.lindseydavis.co.uk/alexandria.htm I can't seen any ties to LD, but who knows... I just read a murder mystery set in Edmonton, so I figure I've done my part in sleuthing for a few weeks now. Nicely, I recognized the couch in my old office for a few scenes. --J william godshalk wrote: > I just came across this item on Ralph Spurrier's webcite Post Mortem > Books. I have no idea what Linsey is up to. > > Bill > > > 1 ***DAVIS,Lindsey (SIGNED)* > > *Alexandria > * > London > Century February 2009 1846052874 / 978-1846052873 First Hardback SIGNED > BY THE AUTHOR > The new Falco novel. No further details just yet. > Price: *18.99 GBP* > *************************************** > W. L. Godshalk * > Department of English * > University of Cincinnati Stellar disorder * > Cincinnati OH 45221-0069 * > 513-281-5927 > *************************************** > > > ------------------------------------------------------------------------ > > _______________________________________________ > ILDS mailing list > ILDS at lists.uvic.ca > https://lists.uvic.ca/mailman/listinfo/ilds From bf779 at freenet.carleton.ca Mon Oct 13 14:09:59 2008 From: bf779 at freenet.carleton.ca (Philip Walsh) Date: Mon, 13 Oct 2008 17:09:59 -0400 Subject: [ilds] Davis, Alexandria In-Reply-To: <3B.83.05680.727B3F84@gwout2> References: <48F37863.3060501@gmail.com> <48F38BBC.3080704@utc.edu> <48F3AEB5.6030202@gmail.com> <3B.83.05680.727B3F84@gwout2> Message-ID: <48F3B927.8070506@freenet.carleton.ca> william godshalk wrote: > I just came across this item on Ralph Spurrier's webcite Post Mortem > Books. I have no idea what Linsey is up to. > > Bill I believe he writes detective stories set in ancient Rome. Philip Walsh Ottawa, Canada From godshawl at email.uc.edu Mon Oct 13 16:49:03 2008 From: godshawl at email.uc.edu (william godshalk) Date: Mon, 13 Oct 2008 19:49:03 -0400 Subject: [ilds] Davis, Alexandria In-Reply-To: <48F3B927.8070506@freenet.carleton.ca> References: <48F37863.3060501@gmail.com> <48F38BBC.3080704@utc.edu> <48F3AEB5.6030202@gmail.com> <3B.83.05680.727B3F84@gwout2> <48F3B927.8070506@freenet.carleton.ca> Message-ID: <84.49.05680.76ED3F84@gwout2> An HTML attachment was scrubbed... URL: http://lists.uvic.ca/pipermail/ilds/attachments/20081013/6a2200be/attachment.html From Smithchamberlin at aol.com Tue Oct 14 13:08:21 2008 From: Smithchamberlin at aol.com (Smithchamberlin at aol.com) Date: Tue, 14 Oct 2008 16:08:21 EDT Subject: [ilds] ILDS Digest, Vol 19, Issue 5 Message-ID: Lindsey is, I believe, a she. Brewster In a message dated 10/14/2008 3:00:29 P.M. Eastern Daylight Time, ilds-request at lists.uvic.ca writes: Message: 6 Date: Mon, 13 Oct 2008 17:09:59 -0400 From: Philip Walsh Subject: Re: [ilds] Davis, Alexandria To: ilds at lists.uvic.ca Message-ID: <48F3B927.8070506 at freenet.carleton.ca> Content-Type: text/plain; charset=ISO-8859-1; format=flowed william godshalk wrote: > I just came across this item on Ralph Spurrier's webcite Post Mortem > Books. I have no idea what Linsey is up to. > > Bill I believe he writes detective stories set in ancient Rome. Philip Walsh Ottawa, Canada **************New MapQuest Local shows what's happening at your destination. Dining, Movies, Events, News & more. Try it out (http://local.mapquest.com/?ncid=emlcntnew00000002) -------------- next part -------------- An HTML attachment was scrubbed... URL: http://lists.uvic.ca/pipermail/ilds/attachments/20081014/c6cc60b3/attachment.html From godshawl at email.uc.edu Wed Oct 15 15:53:13 2008 From: godshawl at email.uc.edu (william godshalk) Date: Wed, 15 Oct 2008 18:53:13 -0400 Subject: [ilds] ILDS Digest, Vol 19, Issue 5 In-Reply-To: References: Message-ID: <38.25.12734.E4476F84@gwout1> An HTML attachment was scrubbed... URL: http://lists.uvic.ca/pipermail/ilds/attachments/20081015/0985e0e0/attachment.html From odos.fanourios at gmail.com Sat Oct 18 14:19:36 2008 From: odos.fanourios at gmail.com (James Gifford) Date: Sat, 18 Oct 2008 14:19:36 -0700 Subject: [ilds] Paris X publications Message-ID: <48FA52E8.4020904@gmail.com> Hello all, I've finally found my copies of the order forms for Paris X's recent Durrell books. I've attached them here for anyone who is interested. Best, James -------------- next part -------------- A non-text attachment was scrubbed... Name: Stephanides order form.pdf Type: application/pdf Size: 45730 bytes Desc: not available Url : http://lists.uvic.ca/pipermail/ilds/attachments/20081018/00fa46ba/attachment.pdf -------------- next part -------------- A non-text attachment was scrubbed... Name: Lacarriere order form.pdf Type: application/pdf Size: 27376 bytes Desc: not available Url : http://lists.uvic.ca/pipermail/ilds/attachments/20081018/00fa46ba/attachment-0001.pdf From Smithchamberlin at aol.com Sun Oct 19 17:53:13 2008 From: Smithchamberlin at aol.com (Smithchamberlin at aol.com) Date: Sun, 19 Oct 2008 20:53:13 EDT Subject: [ilds] ILDS Digest, Vol 19, Issue 8 Message-ID: Alas, no attachement reached this address,. Brewster In a message dated 10/19/2008 3:00:36 P.M. Eastern Daylight Time, ilds-request at lists.uvic.ca writes: Send ILDS mailing list submissions to ilds at lists.uvic.ca To subscribe or unsubscribe via the World Wide Web, visit https://lists.uvic.ca/mailman/listinfo/ilds or, via email, send a message with subject or body 'help' to ilds-request at lists.uvic.ca You can reach the person managing the list at ilds-owner at lists.uvic.ca When replying, please edit your Subject line so it is more specific than "Re: Contents of ILDS digest..." Today's Topics: 1. Paris X publications (James Gifford) ---------------------------------------------------------------------- Message: 1 Date: Sat, 18 Oct 2008 14:19:36 -0700 From: James Gifford Subject: [ilds] Paris X publications To: ILDS Listserv Message-ID: <48FA52E8.4020904 at gmail.com> Content-Type: text/plain; charset="iso-8859-1" Hello all, I've finally found my copies of the order forms for Paris X's recent Durrell books. I've attached them here for anyone who is interested. Best, James -------------- next part -------------- A non-text attachment was scrubbed... Name: Stephanides order form.pdf Type: application/pdf Size: 45730 bytes Desc: not available Url : http://lists.uvic.ca/pipermail/ilds/attachments/20081018/00fa46ba/attachment-0002.pdf -------------- next part -------------- A non-text attachment was scrubbed... Name: Lacarriere order form.pdf Type: application/pdf Size: 27376 bytes Desc: not available Url : http://lists.uvic.ca/pipermail/ilds/attachments/20081018/00fa46ba/attachment-0003.pdf ------------------------------ _______________________________________________ ILDS mailing list ILDS at lists.uvic.ca https://lists.uvic.ca/mailman/listinfo/ilds End of ILDS Digest, Vol 19, Issue 8 *********************************** **************New MapQuest Local shows what's happening at your destination. Dining, Movies, Events, News & more. Try it out (http://local.mapquest.com/?ncid=emlcntnew00000002) -------------- next part -------------- An HTML attachment was scrubbed... URL: http://lists.uvic.ca/pipermail/ilds/attachments/20081019/4ac69ae1/attachment.html